The wild 2006 kazar игрушки

Обновлено: 13.05.2024

In Central Park Zoo, Samson the Liontells his son Ryan stories of his adventures in the Wilds of Africa.When the zoo closes, all the animals are free to roam. Samson, Benny, Bridget, Larry, and Nigel compete in a turtle curling championship while Ryan visits friends. Ryan accidentally causes a stampede which heads to the game. Samson and Ryan argue and Ryan storms off before Samson can apologize. Ryan wanders into a green International container just a few moments before he gets shipped away by a truck, which the legend tells will take him to the wild. With the help of a pigeon, Hamir, Samson and Benny go after him, sneaking into a garbage disposal truck with Nigel, Larry, and Bridget; Benny is accidentally thrown overboard by Bridget. After passing through Times Square and nearly being crushed in the garbage disposal, the group encounters a pack of rabid stray dogs. Samson escapes through the sewer rather than fighting. There, they take directions to the docks from two streetwise alligator brothers, Stan and Carmine. The next morning, the four friends steal a tugboat during a hectic escape from New york harbor. With help from Larry, they drive the boat and reunite with Benny, who has enlisted a flock of Canadian geese to help lead the crew toward Ryan's ship. Days later, Nigel goes mad and, under the impression they have hit an iceberg, jumps overboard.

The boat runs aground in Africa, where all the animals in the area are being evacuated by the carriers, as a nearby volcano, erupts. They witness Ryan run into the jungle. Samson attempts to find him. After failing to eat a crude Hyrax, it soon becomes clear that Samson has never been in the wild before, to which he forlornly confirms. The rest of the group heads back to the ship, but Samson continues to search for his son. While walking, Samson sees plants and rocks change colors. Nigel is abducted by a group of wildebeest who reside in the volcano, and their leader Kazar, pronounces him "The Great Him" based on an "omen" he received when he was young: about to be devoured by lions, a toy koala fell from a plane and scared the lions away, saving his life. Kazar wants to change the food chain; he would rather see "prey become predators" and vice versa. For this, he needs to eat a lion. Bridget and Larry are also captured and held hostage.

Ryan hides up an old tree, but a gang of vultures led by Scraw and Scab attack him under orders from Kazar. The branch breaks and traps his paw. Samson hears Ryan's cries and runs to save him, scaring off the birds. The two reunite but are interrupted by a herd of wildebeests. Ryan is shocked when Samson tells him to run. The two retreat to a tree where Samson reveals the truth. He was born in the circus and like Ryan, was unable to roar. Samson's volatile father disowned him and allowed him to be sent to the zoo, where he lied to avoid the humiliation. The wildebeests discover them and, in the chaos, send the tree over the cliff, with Samson still hanging on. Ryan is captured and taken to the volcano.

Benny finds Samson and gives him the confidence to be himself, even if he is not from the wild. They find two chameleons named Cloak and Camo, who was leading Samson to the volcano and are also trying to defeat Kazar's army. Samson uses the chameleons' camouflage abilities to slip into Kazar's lair. Nigel tries his best to stall the wildebeests from cooking his friends, and eventually, Samson fights Kazar but is quickly beaten. Ryan, seeing Samson in danger, climbs onto a catapulting device and launches himself at Kazar, finally letting out a roar. With Kazar distracted, Samson manages to overpower him. Ryan tells Samson that he is happy to have him for a dad. The other wildebeests are touched by this and refuse to serve Kazar any further. Samson gains the courage he needs and roars powerfully enough to push back a charging Kazar. The animals, along with the wildebeests flee except Kazar, who is trapped in the erupting volcano, in which he gets crushed to death by a falling rock. The animals manage to escape on the boat and travel back to the New York Zoo.

Кифер Сазерленд

Львенка Райана разлучили с его отцом и из нью-йоркского зоопарка отправили на корабле в Африку. Его друзья по зверинцу — коала, крокодил, хамелеон, жираф и белка — решают помочь царю зверей найти сына и, сбежав из зоопарка, отправляются на поиски Райана…

Кадры и изображения

Большое путешествие

Большое путешествие

Факты

Кифер Сазерленд должен был практиковать рев как лев. Вместо того, чтобы делать это в своем доме с двумя его дочерьми, он практиковался в своей машине, едущей по автостраде, совершенно не подозревая о женщине в соседнем переулке, наблюдающей за ним.

Это самый большой фильм, когда-либо созданный в Канаде. Более четырехсот аниматоров были помещены в большое здание для работы над фильмом.

В той части, где животные находятся в мусоровозе, вы можете увидеть вывеску с рекламой Radio Disney и другую рекламу Kodak. Также есть реклама театра, где Король лев (1994) показывается на сцене, когда за ним гоняются собаки.


Строка Казара «Шаг, удар, поворот, удар, ходьба, прогулка, прогулка» - это пародия на линию из сценического спектакля «Линия хора», которая идет «шаг назад, поворот, шаг, прогулка, прогулка» ! », из песни« Надеюсь, я ее получу ».

«Казар» - это имя (с добавлением дефиса, переводящее его как «Ка-Зар») персонажа Marvel Comics, героя в стиле Тарзана из Дикой Земли. «Казар» также означает «остерегаться» на языке каспаковцев в серии романов Эдгара Райса Берроуза, написавших Тарзан.


Голос Хиракса - животного, которое Самсон рассматривает как еду, - предоставил Колин Каннингем, член съемочной группы фильма, который время от времени был известен тем, что время от времени ломал британский акцент Хиракса. DVD-релиз фильма включает в себя функцию актера, ставшего голосом актера.

14 years ago, Disney made one of the worst movies called The Wild. And this movie is a rip-off of Madagascar, Finding Nemo, and The Lion King, which are all way better. Kazar the Wildebeest is even one of the worst Disney villains along with Prince Hans from Frozen. Seriously, why would a wildebeest want to eat meat and be at the top of the food chain? Wildebeest antelopes are herbivores, not carnivores. Near the ending, the zookeepers ask the animals where they all got the wildebeest herd from. The Wild (2006) sucks. And so does Chicken Little (2005). Madagascar, Finding Nemo, and The Lion King are all way better than The Wild (2006). End of review.

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Cartoon type: Noveltoon Year released: 1948 (1st version), 1950 (2nd version) Director: Izzy Sparber Animation: Myron Waldman, Nick Tafuri (1st version), Gordon Whittier (2nd version) Story: Isabel Manning Hewson Adaptation: Bill Turner, Larz Bourne (1st version), Larry Riley (2nd version) Music: Winston Sharples Scenics: Anton Loeb Remember that show made by the Krofft siblings? Yeah, you're knowledge of that and Sleestacks won't help you here, this is something COMPLETELY different. Also, this may be the first (one of few) Noveltoons to have similar plots, but with different stories. And yes, there are two takes to this! The toon is an ani

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Samson the Lion (voice of Kiefer Sutherland) rounds up his animal kingdom pals, including Larry the Anaconda (voice of Richard Kind, from left), Nigel the Koala (voice of Eddie Izzard) and Bridget the Giraffe (voice of Janeane Garofalo) to find his missing young son in "The Wild." As in the similarly themed "Madagascar," the animals have escaped from a zoo and find themselves back in Africa.

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When "Madagascar" and "Ice Age: The Meltdown" were over, they left me with a question: What did they eat? The animals were awfully chummy, considering that some of them have been known to dine on the others. "The Wild" answers my question, but not very accurately. Some animals, as we know, are carnivores. That would include lions. Others are omnivores. That would include humans. Still others are herbivores, or vegetarians. That would include the mighty wildebeest, also known as the gnu, although "the mighty gnu" lacks a certain je ne sais quoi. Wildebeests move around, we are told, in search of grasslands, not quarry.

Hold that thought. "The Wild" and another recent animated film. "Madagascar," share the same premise, which is that animals escape from a zoo and find themselves back in the jungle again -- Madagascar in the first film, continental Africa in this one.

The premise this time is that little Ryan (voice by Greg Cipes), the lion cub, has wandered off and gotten into a shipping container that is being taken to Africa. His horrified father Samson (Kiefer Sutherland) races off to save him and ends up chasing Ryan's ship all the way to Africa on a tugboat that gets very good mileage. Along for the ride are such zoo friends as Benny the Squirrel (James Belushi), Bridget the Giraffe (Janeane Garofalo), Nigel the Koala (Eddie Izzard) and Larry the Anaconda (Richard Kind).

Benny is in love with Bridget, not realizing he is a squirrel and she is not, which reminds me of the Mammoth in "Ice Age: The Meltdown," who thinks she is a possum. The cast continues to grow. On the journey through New York, they encounter a couple of alligators in the sewer system, and in Africa, they meet other characters, including the undercover chameleons Cloak and Camo (Bob Joles and Chris Edgerly), a vulture (Greg Berg) who I think lacks a name, and then, the earth thundering, the dreaded Kazar (William Shatner), who is king of the wildebeests but can be king of the jungle only if he defeats a lion. That would be Samson, who has a secret in his past he hopes Kazar doesn't discover.

Now, then. Although Samson gets regular T-bones at the zoo, he would no doubt cheerfully eat many of these other animals. But what are we to make of a volcano scene with lots of flowing lava that helps set up a scenario in which it appears that Kazar plans to cook Samson? Is Kazar not a vegetarian, or did I miss something?

The movie has a lot more action than "Ice Age: The Meltdown," which was essentially one long trek. There are savage beasts (wilde and other), exploding volcanoes, rivers of lava, and so on -- some of it maybe too intense for the youngest kids. This is the third animated feature in a row (after "Curious George" and "Ice Age: The Meltdown") which aims at children and has no serious ambition to be all things to all people, i.e., their parents. But for kids, it's OK.

That leaves me with some observations about its technique. I doubt that many audience members will be disturbed by such matters, but I thought the movie's lip-synching was too good. The mouths of the characters move so precisely in time with their words that the cartoon illusion is lost, and we venture toward the Uncanny Valley -- that shadowy area known to robot designers and animators, in which artificial creatures so closely resemble humans that they make us feel kinda creepy. Lip-synching in animation usually ranges from bad to perfunctory to fairly good, and I think fairly good is as good as it should get. In "The Wild," it felt somehow wrong that the dialogue was so perfectly in synch.

I also had some problems with the film's visual strategy. The director, Steve "Spaz" Williams, has a way of cutting on dialogue to unexpected closeups. That gives us a subtle feeling that the movie knows in advance what will happen next, when in theory it should seem to find out just when we do. I also think the framing of some of the characters is too close; they hog the foreground and obscure the background. And the fur, hair and feathers on the creatures look so detailed, thanks to the wonders of CGI, that once again we're wandering toward the Uncanny Valley.

An animated film can approach reality, but it should never arrive there. It must always seem one magical arm's-length away. The art is in the style, in the way reality is distorted or heightened. When Miyazaki gives us characters who shout so loudly we can see their tonsils, he knows what he's doing. None of these details will matter to the target audience for "The Wild," of course, although maybe in some vague unconscious way they will sense that the movie doesn't have that je ne sais quoi, I phrase I employ again to make you feel vindicated for looking it up in the first place. As French phrases go, it is one of the handiest, and especially useful when you don't know quite what to say.

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Charlie Grijuc

Люба Казарина


Люба Казарина

Георгий Олексишин


Георгий Олексишин

Люба Казарина


Люба Казарина

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Юля Клеткина

Братан, я отписываюсь от тебя, только потому что собираюсь отписаться от всех групп в ВК, так что не пугайся, если увидишь минус одного)
Мне нравятся твои работы

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